What Makes A Good Lyric (Final - Part 5)
On Wednesday I’ll talk about the three shows I just did with John Batdorf this past weekend. What was good, what could have been better and what was perfect. It was three shows as different from each other as they could be, with most of the same songs. Amazing. 
But I wanted to finish up our lyric writing exercise first, as I sort of left us hanging. Last week we worked on this song developed from the first two lines that I gave you. Here is the song, so that you don’t have to be bouncing between different posts:
We were in the Red Pony , on the coast of Monterey
You said you liked martini’s dry, as the sunlight slipped away
We laughed at karaoke, we toasted one and all
It didn’t seem like time had passed until we heard “last call”
Last call, last dance, last chance for romance?
Last call, last dance, take a chance on romance?
It was that blue and empty hour, when we walked into the night
The waves were whisp’ring to us, the moon hung low and bright
The sand was soft and shining, as like fools we raced that moon
Til breathless then and laughing, we fell upon the dune
Fast fall, slow dance, taking a chance on romance
Fast fall, slow dance, taking a chance on romance
With salty kisses on our lips, and margarita grins
We melted into darkness, that’s how love must begin
We found inside each other, our secret’s hiding place
And kept our promise to the night, and met it face to face
Then morning found us tangled in the covers of that night
And your eyes smiling into mine made everything just right
Fast fall, slow dance, last call for romance
Fast fall, slow dance, last call for romance.
This isn’t where we left the song, this is where I’ve taken it. I put in a little two line release or bridge and then back into the third verse. I took a lesson from the Beatles songbook with the bridge. Something simple and short and then back into the song. There really should be a course at music colleges, just about the bridges in Beatles music. Amazingly effective composition …and it rocks. But I digress. Back to the song at hand.
The rhythm of the verses is now all lined up to the pattern we established, and the story has unfolded without too much detail though we all still know what happened.
I took Andrew’s images of Salty kisses, but left out Bobby’s run to her place or the rain. I didn’t want the weather to change so abruptly from the second verse. Left off Eva’s lessons for now and eternity and got us to the morning, which is the real “tell”.
If you wake up and wish you were a thousand miles away, you made a mistake, but if you wake up and are just grinning at each other, you know something really good happened in the dark last night…as they say.
Remember. One of the things we want to avoid when writing lyrics is using imagery or simile that has already been used. I realize that it is almost impossible to be completely original, but we can put our own spin on it and the story we tell. Many new writers actually use phrases that they heard somewhere else. I heard a songwriter the other night actually use the title of a well known play. As soon as he sang it, I was out of the song and into the play, not to mention the fact that the title did nothing to further the song, it was like a mindless non sequitur. You want to be succinct and you want to be true to your own poetic vision. Look what it did for Dylan…or for Lennon…or for Eminem. Good lyricists all.
So now I want to get your feedback, before I put a melody to it. If you believe that you can make it better, then take a whack at it. And if I don’t like it or want to use it, that only means that “I” don’t like it or want to use it. You can do whatever you wish with the ideas you came up with. And after the comments, I’ll put a melody to it. And why do I get to put a melody to it, you might be bold enough to ask?
Perhaps when we’ve all got really fast computers and compatible programs we can work on a melody in cyberspace, but for right now, we’ll do the lyrics up here and then I’ll do the melody myself, hopefully this week, and finally post it to myspace, as soon as I can get it recorded. So I am taking over, neener neener. “It’s good to be king.” –Mel Brooks/The History of the World, Part One.
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Reader Comments (5)
Well..I was gonna send along some revisions but I don't think I can do better than this :) I'm just glad there was something useful in there. One thing I did learn is, boy am I rusty!!! Was a time I was pretty good at creating images. I guess it's true..."use it or lose it" <G> I think I better start using it again!!
And yeah..this really was fun!
Eva
Tho I would have loved use of my lyrics...I cant say I'm disapointed...good learning experience...fun journey that I for one would like to do again....and i can still use what I came up with..for *MOI*... Really want to hear the finished song...It's been fun;)
oh and since James quoted Mel Brooks...
I was watching Mike Wallace interview Mel Brooks on 60 minutes a few years ago...I think it may have been when THe Producers hit Braodway...anyhow Mike asked Mel how he wrote songs...and in a very Chico Marx move....Mel went up the keys of the piano and then hit record on a cassette player...I nearly stopped breathing for this is how I come up and keep track of melodies...i didnt realize anyone else in the whole world did that...ok there's my story
I've always said that my talents are indirect. I don't really have a creative bone in my body, but what I am pretty good at is editing - bringing out the best in someone else's work. But this exercise in lyrics has even allowed me to learn more about that! James, you know well that I've been following your blog since day 1, but I don't think I've ever told you how much I appreciate it. To me, this is like a master class. And everyone who attends will be able to take away something that will be of use to them - musicians or otherwise.
bobby and david, thanks for the kind words. nothing wrong with your lyric bobby, it just didn't do what i wanted the song and the exercise to do. it is more of a challenge to fit what you want to say into a specific rhythm and rhyme scheme than to write it as you think it and then figure out a way to sing it in the song. joni mitchell is brilliant at both, but this was an exercise in a kind of discipline, so i tried to make you all stick to it. and i'm glad that folks are getting something out of it. i didn't realize til now (267,000 hits later) that it was going to be such a big commitment from me or that it would have any impact. this is fun and rewarding and a lesson for me every time. wish i could remember to employ all that i think of to write.